Rondo in A major, K.386 (Mozart, Wolfgang Amadeus)

Sheet Music

• Scores (10)
• Parts (0)
• Arrangements and Transcriptions (1)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores

Complete

 Complete Score
*#54877 - 0.55MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13312×⇩ - Philip Legge

PDF typeset by editor
Philip Legge (2010/2/3)

Editor Philip Legge (b. 1972), completion Publisher. Info. Philip Legge, 2010 Copyright Creative Commons Attribution Share Alike 3.0 [tag/del] Misc. Notes Reconstructed from the extant manuscript fragments, and the piano arrangement by Cipriani Potter. Purchase Javascript is required for this feature.

 Sketch? (scan) (EU) (Preview)
*#582249 - 2.43MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - C*/56*/V* - 1053×⇩ - Piupianissimo

PDF scanned by Piupianissimo
Piupianissimo (2019/7/21)

Editor Wolfgang Rehm (1929-2017) Publisher. Info. Neue Mozart-Ausgabe, Serie V, Werkgruppe 15 [NMA V/15/8] (pp.173-87) Kassel: Bärenreiter-Verlag, 1960. Plate BA 4524. URTEXT EDITION  This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions [tag/del] Misc. Notes scan: score scanned at 600dpi (High Quality Scanning) Purchase Javascript is required for this feature.

Fragments

 Measures 105-110, 116-119, and 133-135.
*#292782 - 6.15MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 396×⇩ - Irishmaestro

PDF scanned by US-NYj
Irishmaestro (2013/8/19)

Publisher. Info. Holograph manuscript, 1782. Copyright Public Domain [tag/del] Misc. Notes Fragments of two leaves. The first fragment is from folio 6, containing the lower portion of bars 105-110. The second fragment is from folio 7, containing the upper portion of bars 116-119 and 133-135. Purchase Javascript is required for this feature.

 Bars 101-115
*#294912 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 300×⇩ - Irishmaestro

PDF scanned by Various
Irishmaestro (2013/9/6)

Publisher. Info. Holograph manuscript, 1782. Copyright Public Domain [tag/del] Misc. Notes Two surviving sections of folio 6 (comprising the lower half of the leaf) joined together. Juilliard's portion, still missing until c.2005, contains music not present in either version found in NMA. Cipriani Potter's arrangement differs from the autograph in several respects at this point (notably in bar 105). Purchase Javascript is required for this feature.

 Bars 101-135
*#561995 - 0.07MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 155×⇩ - Irishmaestro

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Irishmaestro (2019/2/18)

Editor Tom Ó Drisceoil (b. 1986) Publisher. Info. Tom Ó Drisceoil, 2019. Copyright Creative Commons Attribution-ShareAlike 4.0 [tag/del] Misc. Notes Retypeset of pages 11-14 of #54877, including the autograph fragments in Juilliard (#292782), discovered in 2005. Possible first edition to include this material? Purchase Javascript is required for this feature.

 Bars 136–154
*#16993 - 6.38MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1342×⇩ - Peter

PDF scanned by US-R
Peter (2008/5/19)

Publisher. Info. Holograph manuscript, 1782. Copyright Public Domain [tag/del] Misc. Notes Folio 8 of 16. This file is part of the Sibley Mirroring Project. Details Purchase Javascript is required for this feature.

 Bars 155-171 (greyscale)
*#561869 - 6.81MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Irishmaestro

PDF scanned by A-Wm
Irishmaestro (2019/2/17)

 Bars 155-171 (monochrome)
*#561870 - 0.16MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Irishmaestro

PDF scanned by A-Wm
Irishmaestro (2019/2/17)

Publisher. Info. Holograph manuscript, 1782. Copyright Public Domain [tag/del/mrg] Misc. Notes Folio 9 of 16. Purchase Javascript is required for this feature.

 Bars 225-269 (higher quality)
*#558130 - 10.85MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 28×⇩ - Irishmaestro

PDF scanned by GB-Lbl
Irishmaestro (2019/1/22)

 Bars 225-269
*#447127 - 0.35MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 31×⇩ - Giovanni Tribuzio

PDF scanned by GB-Lbl
Giovanni Tribuzio (2016/11/11)

Publisher. Info. Holograph manuscript, 1782. Copyright Public Domain [tag/del/mrg] Misc. Notes Folios 13-15. Folio 16, which was not scanned by BL, is blank. This ending was rediscovered by Alan Tyson in 1980 in a volume of vocal and instrumental music by Süssmayr. Folios 250-252 (as they are numbered in the BL volume) contain the ending to the Rondo, which was missing since at least 1799. RISM 806042530 Purchase Javascript is required for this feature.

Arrangements and Transcriptions

For Piano (Potter)

 Complete Score
*#295255 - 0.93MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1173×⇩ - Irishmaestro

PDF scanned by Unknown
Irishmaestro (2013/9/8)

Arranger Philip Cipriani Hambly Potter (1792-1871) Publisher. Info. London: Coventry & Hollier, n.d.[1838]. Copyright Public Domain [tag/del] Misc. Notes This arrangement, made by Cipriani Potter sometime before 1838, is still the primary source for some still-missing sections of Mozart's autograph. Purchase Javascript is required for this feature.

General Information

Navigation etc.

The autograph manuscript of this rondo was sold by Mozart’s widow to the publisher André, who did not publish the work as the last page of the manuscript was missing. He therefore sold it to buyers in England, and it eventually came into the possession of Sterndale Bennett. In 1838 Cipriani Potter made an arrangement of the entire work for solo piano, which included an ending of his own devising.

The manuscript was eventually dismembered into many fragments, which have resurfaced from time to time: Alfred Einstein could only locate two leaves (bars 136–71) and had to rely on the reduction by Potter for the remainder; some time later by 1956 A. Hyatt King had discovered another three leaves in England, allowing Charles Mackerras and Paul Badura-Skoda to create a performing version in 1963 incorporating one further full leaf and another partial one that they uncovered, accounting for bars 1–78, 118–32, and 136–71. The Piano concertos, volume 8 in the New Mozart Edition (NMA V/15/8, published 1960) includes a facsimile of bars 155–61 (Vorspann, page XXXV) and a partial reconstruction utilising the arrangement by Potter (pp. 173–87).

Finally, Alan Tyson recovered four of the last seven leaves in a miscellany in the British Library. These had been missing since before 1799, and represent bars 225–69 (Potter’s arrangement diverges here and finishes after 252 bars).

The work is dated on the first page di Wolfgango Amadeo Mozart mpr / Vieña gli 19 d'Octo^bre 1782.

The following sections of the autograph are known:
f.1 (bars 1-22): sold by Sotheby's on 23 May 2017; whereabouts unknown.
f.2-3 (bars 23-62): owned by an unknown private collector in Germany.
f.4 (bars 63-78): Royal College of Surgeons, London.
f.5 (bars 79-100): whereabouts unknown.
f.6 (bars 101-115): two fragments, comprising the lower portion, are held by the Juilliard School in New York, and the University of Western Ontario.
f.7 (bars 116-135): one fragment, comprising the string parts of bars 116-119 and 133-35, is held by the Juilliard School in New York; another fragment, comprising the lower portion of bars 119-133, were sold by the Kenneth W. Rendall Gallery in New York in 1998, and its whereabouts are currently unknown.
f.8 (bars 136-154): Sibley Music Library, Rochester, NY.
f.9 (bars 155-171): owned by Bin Ebisawa in Tokyo.
f.10-12 (bars 172-224): whereabouts unknown.
f.13-16 (bars 225-269): British Library, London.